This edition of what is probably my favourite genre magazine was a little below par. The best stories were the longest ones, but none of them was without its flaws. The highlight of the volume, among the various reviews – which are always interesting to read – was a review of Super 8 that mercilessly painted it as a simplistic rehash of E.T.
‘Quartet and Triptych’ by Matthew Hughes was a novella-length story about an obese professional thief in a far future world that resembled that of Gene Wolfe’s The Book of the New Sun. The setting was well presented and the main character suited it well and was entertaining to follow. However, some of the details didn’t make sense at all; for instance, a patch of alien vegetation had remained in the area it had been planted in the grounds of a mansion for thousands of years. The story was further spoiled when the protagonist was lucky enough to be rescued from certain death by a minor character who had good reason to arrest him, but didn’t.
‘Object Three’, a space opera-ish story (or ‘novelet’, to use the official terminology) by James L Cambias also focused on the theft of an alien artefact, although the characters and writing weren’t as good – but not at all bad. The world hung together better, and the climax of the story was more satisfying, more reliant on the main character. It was also a rather open ending, with the protagonist’s main goal only about to be achieved and the vast Maguffin that inspired the story not explained at all. I had mixed feelings about that. The betrayal and counter-betrayal that formed the emotional heart of the story didn’t quite work for me as the love affair between the two women involved didn’t really come to life.
‘The Ice Owl’ by Carolyn Ives Gilman, the other novella of the magazine, was a well characterised story set in a detailed and believable universe – one where interstellar travel is a reality, but, because of relativity effects, while it seems instant for the traveller, years or decades pass in the wider world. Human settlements are therefore quite independent. The background to the story involved a Holocaust-like episode that has left a legacy of ethnic distrust. The main character explored this through her relationship with a mentor – who entrusted to her a cryonically preserved ice owl, possibly the last of its species. The protagonist, a teenage girl, came across especially believably – her angst was surprisingly not at all annoying. The ending was a little contrived and more or less happy.
The only actual ‘short story’ (according to Hugo Award rules) was ‘The Klepsydra A Chapter from A Faunery of Recondite Beings‘ by Michaela Roessner. Stylistically, this was the most interesting piece in the magazine, being a faux academic paper about a woman’s researches into a water thief – as ‘klepsydra’ literally translates. The story explains that a klepsydra is actually a water clock, but the now-deceased researcher discovered that this name was based on a spider with very strange properties. An interesting read, but not much of an actual story.
There were three other stories in the November/December edition, but, although I have the names in front of me (‘Under Glass’ by Tim Sullivan, ‘They That Have Wings’ by Evangeline Walton and ‘How Peter Met Pan’ by Albert E Cowdrey), I don’t remember anything about them – which is probably review enough.